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highlights from linger & learn

the first of three evenings in our 2018 summer series

 

 

The first event in our 2018 summer series was a lovely gathering, filled with friends and rich learning opportunities.  The gallery at taste is brimming with art by Kelly Milukas, Susan Freda and Alyn Carlson.  Be sure to stop by this month to see their exquisite work.

Candita Clayton was in the house to kick-off the linger & learn series, with insights on how to demystify selecting art and how to best engage with an artist to deepen the experience of acquiring art.  And, equally imporatant – curbing those tendencies to fill your walls with anything less than a handmade piece of art.

A good time was had by all.  Be sure to attend a linger & learn event later this summer – Thursday evenings, June 28th and August 2nd.

Enjoy the snapshots and videos of Candita’s talk below.  Remember, our doors are open all summer long for doses of artful inspiration…

Only the best,

patti watson interior designer taste interior design decorator rhode island boston

 

 

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announcing taste’s linger & learn summer series

join us!

We hear from many of you that you look forward to our open studio events every summer for connection and inspiration. We’re so glad. Since 2015, we’ve opened our red front door for three Thursday evenings in the summer to welcome friends, neighbors and favorite artists to our gallery.

This summer we’re expanding to include an art & design learning opportunity each evening. I’m bubbling over with excitement and pride about our guest speaker and artist line-up. (I met with artist Susan Freda this week to select her work that we’ll debut at the gallery at taste later this month and I’m over the moon excited. She is an extraordinary artist creating work from the heart that speaks to so many people.)

Our first Linger & Learn event happens Thursday evening, May 31st from 6pm – 8pm at our Jamestown Studio. Join us then for a cocktail and a nibble to absorb art wisdom from friend and gallerist Candita Clayton and take in the work of Susan Freda, Kelly Milukas and Alyn Carlson.

Here’s why you should attend…

At twenty-one years old, Candita started collecting art with $125 she’d scraped together after college to buy a small print that spoke to her. Since then, she’s added to her own collection, edited friends’ and clients’ collections and demystified art buying along the way.  Today, that print still hangs in her living room and symbolizes her buy-what-you-love philosophy to acquiring handmade objects.

Candita will share her approach to buying original art (at any price point – even $125), including:

  • How to start thinking about filling that empty space on your wall(s);
  • When to buy art, and when not to buy art. (Hint: vacation art-buying often doesn’t pan out in the long run);
  • How to engage with an artist to add meaning to the art you acquire;
  • When to support an emerging artist and what to consider;
  • Making a financial investment in art and what kind of return you should expect.

The red front door opens at 6pm and Candita’s talk will start at 6:45 pm-ish. Join us for what I expect to be a lovely, inspirational evening.

(To tempt you even more, work from Susan, Kelly and Alyn follows below.)

Only the best,

 

patti watson interior designer taste interior design decorator rhode island boston

P.S.  Mark your calendars for all the Linger & Learn events this summer…

Thursday, May 31st with gallerist Candita Clayton

Thursday, June 28th with glass artist Tracy Glover

Thursday, August 2nd with textile artist Melinda Cox

 

 

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Sue Freda – Kozo Dress

AC_AquaLinea_1216-LO-RESAlyn Carlson – Aqua Linea 1216

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Kelly Milukas – Spinal – 18 x 10 inches

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Sue Freda – Abaca Dress

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Alyn Carlson – Aqua Linea 1316

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Kelly Milukas – Oxygen – 6 x 6 inches

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Sue Freda – Collagraph 2

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Kelly Milukas – Done at Dawn Bandwidth

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Sue Freda – Collagraph 5

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Kelly Milukas – Drench Gaia

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Sue Freda – Filasidus

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Kelly Milukas – Oceanic – 10 x 10 inches

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Sue Freda – Hyacinth Vitroll

Kelly-Milukas-the-modern-past-6-x-6-LO-RESKelly Milukas – The Modern Past – 6 x 6 inches

 

DUNN with taste

Collaborator Spotlight

 

I was so pleased when Studio Dunn asked that I be a guest contributor to their blog.  Asher and his team are a go-to source for us – both for well crafted furnishings and exemplary client service.  We’re pleased to be a DUNN collaborator.  Here’s the interview that appeared on their blog earlier this week…

Only the best,

Patti-Signature-Top-Bottom-Margin-WEB

1. Please tell us a bit about yourself and your work. 

I first came to design in part due to my great love of color and the decoration of space. Over the last 15 years I have built a full spectrum interiors practice engaged with far more than décor. We focus on the life changes that motivate clients to remake the most fundamental and expressive space in their lives: a home. Whether clients are facing empty nests as children leave, building a new home by the sea, or updating their living space to reflect new visions, taste brings a wealth of resources and a sophistication of experience to create balanced, future-oriented and respectful interiors. Our best work reflects a process of collaboration, analysis and design at every level from the function and mechanical needs of space to its aesthetic character. Change is what draws us; beauty is what we leave behind.

I rely on classical arrangements of rooms, proportion and scale to right a home. Then, introduce modern details like layered lighting and sink-into sofas. As a result, our interiors exude a timeless quality and deliver equal parts comfort and function.

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2. How do you define coastal design? 

Coastal design is no different from other design styles that draw from nature and in doing so, create comfort and a sense of well-being. Making this connection with the external environment grounds us and reminds us that we are part of the larger, natural world. To achieve this on the coast, we rely on textural materials, references to water and a color palette drawn from the outdoors.

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3. Can you share your favorite design/decor elements from past projects? 

Natural materials, reimagined elements and original art are our trifecta we lean on time and time again when creating interiors for our clients. Natural materials often come in the form of stone such as quartzite and bluestone (we rarely use manmade alternatives) and high character wood species. Dunn’s Kingstown Stool is a favorite not only for its beautiful use of walnut, but its honest joinery and organic form.

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Reimagined elements bring a sense of history to a space and evoke positive memories for its inhabitants. For example, I’ll forever love the use of these porcelain art sink brackets on this Kitchen island.

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Lastly, original art always brings originality and a personal connection to our interiors, like this photo that captures a natural wood floor, a repurposed antique chair and original art by Neal Walsh.

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4. Yachts! Tell us about designing for yachts! 

We love designing the interiors of yachts – our newest design venture. While there are many similarities to residential design, there are a few important distinctions.

First, every element of the interior has a functional purpose on a yacht – some seen and some unseen. A loveseat, for example, can double as a handhold through a salon and a way to safely traverse from the galley to the cockpit while heeling. And the edge of a nightstand or table, referred to as the fiddle, helps to keep elements from rolling off surfaces while at sea. Oh and the open base of the sofa you’re imagining? Be sure it can incorporate the myriad of mechanicals that need to be hidden there.

Second, every inch and every surface matters. Creating a luxury interior in a space constrained, moving interior requires extreme precision and a hyper focus on the highest quality hard and soft materials. While a residential home has endless spaces to exude quality, a yacht has far fewer, so make the most of every opportunity to convey quality luxury.

Lastly, the project timeline on a yacht provides little room for error. When it sets sail and departs the shipyard after a project has been completed, its gone and you don’t have the chance to return to make adjustments or deliver that finishing element that was on backorder. Project management is crucial. (True story: We recently had a superstar window treatment installer agree to install during ‘sea trials’ when the boat was at sail and being tested to be sure it was seaworthy. It was crunch time and every hour mattered. Supreme collaborators like him help make the project timeline happen.)

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5. What is one piece of advice you find yourself telling clients on a regular basis? 

If you’re renovating a home, move out during construction. If you’re building and renting a home while your new home is being built, rent a home with a flexible lease. Despite everyone’s best intentions, project timelines get elongated. There are far too many humans involved in the build process to expect otherwise. Mistakes happen. Shipments are delayed. Products fail. Completion dates slip. Living out of the house during a renovation helps to move a project along. It’s the best piece of advice I give, benefiting taste, our collaborators and our appreciative clients.

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6. What is the most challenging aspect of interior design work? 

On any given day, our designers collaborate with 25-30 different builders, tradespeople and artisans. We need to know enough about each craft to maximize and often stretch its potential while always respecting the limitations. Communication and humility are key.

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7. What makes working in Rhode Island a unique experience? 

Hands down, direct access to exceptional craftspeople, artisans and fellow designers. We are so fortunate to have such talent in this state. My particular joy is discovering when your favorite millworker is working with your favorite wood turner and your favorite furniture finisher to complete a custom piece you’ve designed. There’s an active collaboration current always at work in Rhode Island that I’m proud to be a part of.

8. Who do you admire today in the architecture and/or design fields, and what are they doing that you admire? 

I’m a big admirer of Ilse Crawford’s work and design philosophy. She believes design is a powerful force that is often underestimated, misunderstood and trivialized. “It’s a mistake that [interior design] is considered a luxury to be applied if there is money left at the end, rather than an integral part of making and shaping new realities from the outset.” I couldn’t agree more.

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before & after…

a welcoming kitchen, and baths for all

 

 

 

 

before & after:

a welcoming kitchen, and baths for all

 

Even masterfully architected homes need a facelift eventually.  Last year, we helped our clients see the potential in their circa 1980 Jim Estes designed home and transformed their spaces for more comfortable gathering and weekend entertaining.

The galley Kitchen, Powder Room and Pantry were reappointed while honoring the original architecture and strong lines of the space.  And, we reworked the lower level space plan to increase the baths from one to three — so no more sharing bathrooms with weekend guests.  (And if you’ve ever reworked a lower level space plan, you know its a challenge to work around structural and mechanical requirements to reimagine a space.)

While challenges were plentiful, the plan worked and the waiting list for summer weekend visits is already growing.  An Estes home, proudly enhanced by taste.

Only the best,

patti watson interior designer taste interior design decorator rhode island boston

 

A coffee and beverage bar welcomes guests into the Kitchen, day or night.

 

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Terracotta tile was replaced with the warmth and character of hickory floors – set at a diagonal to complement the architectural character of the home – offering visual contrast to the honed Calacatta marble countertops and white cabinetry.

 

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A lighter and brighter Kitchen.

 

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The teeniest of Powder Rooms gains visual space with a cantilevered sink base in walnut.

 

 

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The hosts are equally as comfortable as their guests in their Master Bath, complete with large shower and private water closet.

 

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The once laundry was moved to create a guest bath, and an efficient laundry space created from an unused walk-in closet.

 

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After Photography: Kyle Caldwell

 

reflections on summer: new work by Dora Atwater Millikin & Susan Strauss

 

 

 

Our fresh coat of paint has dried and we’ve refreshed the gallery at taste, complete with new work brimming with images of warm days and nights.  Dora Atwater Millikin and Susan Strauss return to the gallery with bold and lively new work, just in time for summer.  Be sure to stop by the gallery at taste, Monday through Friday from 9am to 5 pm, to view Dora’s and Susan’s new selection of paintings.

About Dora…

Though not unfamiliar to our walls, we are pleased to show new work by the Massachusetts artist Dora Atwater Millikin. Known for her roadways, summer camper series and the geometry found in everyday life, we’re pleased to present a new series of early morning, evening and coastal scenes.

Dora Atwater Millikin Artist“Ordinary, mundane objects are featured, not omitted, and the works are meant to engage scenes of contemporary life that transcends the everyday. My urban subjects depict objects associated with a more leisurely life and are in direct contrast to nature.  Their titles such as “No Parking” or “Parking this side only” allude to the complicated network of rules and privileges installed to maintain order in an overly congested world.
As site specific as the places in my paintings may be, hopefully, anyone can relate to the universal nature of their activity.  What is my message?  My message is to find the rhythm and beauty in the world around me and to give an interpretation of life in my time as seen through my eyes.”

Also no stranger to the gallery at taste is Susan Strauss. Her loose, dynamic style captures the essence of the scene. Strauss brings a new set of small works featuring spring and summer hued landscapes to our gallery along with several large pieces that demand the center of attention.

susan-strauss-with-art-at-taste-grand-opening“Each new painting is fresh, open to risk and growth. I paint from direct observation of both inner and outer landscape.

Simply put, I am painting to make visible both seen and non-visual experiences, to explore their interconnection and to reveal their universality. 

My goal is to be present in my life and my paintings.”

In other gallery news… summer Gallery Nights will be back on July 20th and August 17th. Mark your calendars!

Thursday, July 20th :: 5 – 8 pm

On July 20th, we’ll feature the layering, textural artist Coral Bourgeois and her mosaic collaged pieces, Kelly Jo Shows’s unique Portrait of an Artist shoe paintings, local artist Christian Potter Drury’s playful, eclectic story pieces, and Jessica Pisano, whom you may recall is a sought after seascape artist. Jessica’s new series features birds in flight in her highly crafted and articulated oil techniques.

 

 

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Thursday, August 17th :: 5 – 8 pm

August 17th brings Debby Krim and The Colors of White photography study featuring the relationship between positive and negative space, Rhode Island artist Vanessa Piche who has added the Summer Tides and Gannett Summer boating series to her ever-popular shorelines and marsh paintings, Wendy Wahl’s 3D pieces made from unbound pages of discarded encyclopedias, and Tiffany Adams’ organic ceramic sculptures inspired by nature.

 

 

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Enjoy this glimpse of our current show with Dora Atwater Millikin and Susan Strauss or drop in anytime Monday – Friday between 9am – 5pm to view these stunning pieces in person. And as always, take advantage and “try before you buy” to view pieces in your home or office.

Only the best,

patti watson interior designer taste interior design decorator rhode island boston

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Dora Atwater Millikin – 8pm – oil on linen – 20 x 48 inches

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Dora Atwater Millikin – Door, Drum – oil on linen – 28 x 20 inches

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Dora Atwater Millikin – Night – oil on linen – 36 x 20 inches

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Dora Atwater Millikin – Street Light – oil on linen – 30 x 20 i inches

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Dora Atwater Millikin  First Thing  – oil on linen – 24 x 36 inches

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Dora Atwater Millikin – Morning – oil on linen – 36 x 20 inches

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Dora Atwater Millikin – Night Driving – oil on linen – 20 x 28 inches

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Dora Atwater Millikin –  Vortex – oil on linen – 48 x 72 inches

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Dora Atwater Millikin – Summer Place – oil on linen – 24 x 30 inches

 

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Dora Atwater Millikin – Bellow Docks – oil on linen – 28 x 16 inches

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Dora Atwater Millikin – Beach Street – oil on linen – 28 x 20 inches

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Susan Strauss –  Sky or Reflection? – oil on panel – 28 x 36 inches

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Susan Strauss – Exceptional Summer Moments – oil on panel – 12 x 16 inches

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Susan Strauss –  Pardon Gray Trees (left)  – oil on panel – 11.5 x 5 inches

Susan Strauss –  Pardon Gray Trees (right)  – oil on panel – 11.5 x 5 inches

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Susan Strauss – The Speed of Summer – oil on panel – 36 x 40 inches

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Susan Strauss –  Wonderful Place – oil on panel – 12 x 12 inches

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Susan Strauss –  Iconic – oil on panel – 12 x 18 inches

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Susan Strauss – Early July – oil on panel – 11 x 14 inches

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Susan Strauss – Entrance  – oil on panel – 12 x 16 inches

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practice makes better

a progress report on our use of Sketch-up

In 2016, team taste more fully employed the 3D modeling tool Sketch-up than ever before.  From furnishing drawings to cabinetry detailing to full room interiors, we turned to Sketch-up often to work through the scale and proportion of our designs and illustrate our interiors. But it wasn’t always so…

Years ago, taste designer Kevin Baker and I used Sketch-up with some success, yet often found the rough edges of the design program caused more concern with our clients than answered questions. After receiving several raised eyebrows during client meetings, we took a step back and returned to relying on CAD to work through and convey our ideas.

Then — Ashley arrived.

taste designer Ashley DelVecchio renewed our confidence in the tool with her lightening fast speed and plug-in know how. She helped us turn rough sketches into well lit renderings – complete with wood finishes, tile selections and reflections in glass. Soon, we all began to rely on the program and the power it had to enrich our design process and help our clients envision— and build confidence in—our designs.

Our progress continues and we have big plans for Sketch-up in 2017. Stay tuned as Julia Reinalda joins the ranks of savvy Sketch-up designers and Kevin expands the use of the program to convey construction details.

A sampling of recent 3D renderings follow, to inspire and help envision your next project.

Only the best,

Patti-Signature-Top-Bottom-Margin-WEB

 

Simple line drawings of a Kitchen island helped our clients imagine the functionality this additional cabinetry brought to their space.

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Renderings of this Kitchen helped us get the scale and detailing of this millwork design spot-on in this historic home. We intentionally restrained from adding additional color and material finishes so we could study the millwork profiles, without the distraction of other surfaces.

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We used this same monochromatic approach in this master bedroom. The lack of color helped us to study the millwork design, custom bed and additional natural light created by the mirrors on the wardrobe doors.

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Then, we used the same Sketch-up approach in the master bathroom at this client’s home. Larger and additional windows produced the abundant natural light our client wished for, and the renderings helped to confirm the positive outcome.

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We turned to Sketch-up once again in this rendering by Ashley. The illustrations provided taste clients with our vision to visually expand the shower with glass, and presented an option for natural wood upper cabinets, or painted. (We all decided the natural wood upper cabinets were best.)

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Kevin has been collaborating with local architect Mary Meagher on a cottage renovation, including the addition of second floor dormers. To help our Chicago-based client understand the options, Kevin’s using Sketch-up to develop massing models that are emailed to our client for review and consideration.

 

Ashley created these Sketch-up renderings of the cottage featured above, complete with artwork from the gallery at taste – patiently waiting to takes its place of honor at our client’s home this summer.

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from the designer desk of candace langan…

Taste designer Candace Langan has been working her yacht interior magic once again…  For the past few months she’s been on a sprint to help our California-based client and new owner of a classic super yacht reinvigorate the vessel and personalize for his chapter of ownership.

Our client acquired the then ‘Timoneer’ this summer and in addition to renaming her ‘Catalina’ he brought his western aesthetic to the 147′ yacht originally designed by Dubois Naval Architects with interiors by John Munford.  How did we successfully blend our client’s request for a California-clean palette and polite insistence for “no blue, please” with a classic cherry yacht interior?

Candace relied on a textured and neutralized palette with accents in tomato red and crisp browns to complement the rich wood tones.  Blue and white carpet came out and was replaced with a subtly patterned geometric rug.  Florals were replaced with a collection of small scale prints and textured fabrics.  Tufting was removed and replaced with tight backs on sofas and headboards.

Now, Catalina boasts a clean and textured canvas – ready for our client to personal with art and collections from his travels at sea.  All aboard!

Only the best,

Patti-Signature-Top-Bottom-Margin-WEB

Yacht management firm Jon Barrett and Associates oversaw the refresh of Catalina and the hull painting in a warm Benjamin Moore gray.  Our client was so pleased with the new hull color we used it as a launching point for the interior color palette.

 

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The teak flooring was refinished and a new gray grout was installed to complement the  stainless steel accents around the flush floor lights, railings and diamond inlays found in the upper salon.

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Candace developed a neutral upholstery palette with accents in tomato red and crisp brown tones to complement the cherry interior.

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The Upper Salon allows guests a near 360 degree view of the horizon, whether at anchor, surrounded by gorgeous Bahama-blue oceans and islands, or sailing to the next destination.

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Polished perfection from bow to stern…thanks to the new Catalina crew.

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Below deck, auburn throw pillows give the Main Salon warmth amidst the softer hues in the chevron gray and cream fabric selected for the curved sofa. Custom-made window treatments in a subtle monochromatic pattern echoes the eggshell-striped shades specially made to fit the brass light fixtures.  The palette extends and evolves in the cabins, with warm red and leafy green accents.

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Cream and olive custom upholstered head and side boards makes for a serene atmosphere where guests can unwind in the evenings. The embroidered bedding from Sferra gives a luxurious feel to the stately guest cabins.

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how design works: post-project stories

A post project check-in

 

Earlier this month I had the pleasure of presenting alongside Jeff Soderbergh, Creator of Custom, Sustainable Furnishings, at the Newport Art Museum during Design Week.

DESIGNxRI’s Design Week is an eleven-day event that celebrates innovative design and architecture throughout Rhode Island. The fantastic team at DESIGNxRI offers talks, tours, luncheons and events such as the Drinks With Designers, where I discussed How Design Works and shared projects with unique challenges/solutions.

To prepare for the talk, I found before photos of three client projects that have been completed for a year or more now, then shared the before photos with my clients to jog their memory of the spaces pre-renovation.  Then, I asked them for insight on how the spaces were working for them now, compared to before, and posed these questions:

— How have the rooms changed your views/relationship to adjacent interior rooms? And to the exterior?
— How has the lighting/layout/finishing changed the way you use the space?
— What happens in these spaces now, when family and friends gather, that didn’t happen before?
— What work gets done in these spaces now, that didn’t flow as well before? Why?
— Any unexpected life moments with your children that have resulted from these improved spaces? With friends?
— Any aspect of the design that you were unsure of that you’re glad you incorporate?

The stories I received in response were generous, heartwarming and incredibly fulfilling as a designer.  Here’s one of those projects – a master suite in a whole house renovation that is living up to the promise of sanctuary for my clients.  And, creating sweet memories.

These client stories are a reminder that thoughtful design can transform our lives.  Sometimes the change is sweeping, sometimes it happens in small, incremental ways that add up to easier, meaningful living. Either way, design remains a powerful tool for better living.  How can it be harnessed in your home?

Only the best,

Patti-Signature-Top-Bottom-Margin-WEB

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Artist Spotlight: Christian Potter Drury

painter of the natural world and its unseen details

 

 

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We were honored to feature Christian Pottery Drury’s inspiring work at our Gallery Open House in August.  Here’s a snapshot of Christian and a preview of the pieces currently hanging in our gallery. If you’re a local, please stop by to view in person…

Christian Potter Drury comes from a long line of artists. Her relative Allyn Cox spent two decades painting the murals in the Capital rotunda in Washington, DC, and her father was the art book publisher Clarkson N. Potter. Christian spent her childhood in New York City and London and summered in Jamestown, Rhode Island, where she now resides.

Drury trained at London’s Sir John Cass School of Art and at SUNY before embarking on a long and successful career as an Art Director at newspapers, notably the The Los Angeles Times, and most recently the Wall Street Journal.

Christian has drawn and painted since she was 13. Two years ago she returned to painting full time.  We’re so fortunate she did.

Enjoy and be inspired, as we are everyday as we take in the subtleties and messaging in her work.

Only the best,

Patti-Signature-Top-Bottom-Margin-WEB

 

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Christian Potter Drury – In the Deep Dark Forest You Will See a Golden Light – Acrylic, Pencil, Watercolor, Varnish – 30 x 30 inches

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Christian Potter Drury – en famille – Acrylic, Collage, Pastel, Ink, Watercolor, Varnish – 16 x 20 inches

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Christian Potter Drury – Buds – Watercolor, Acrylic, India Ink, Collage, Varnish – 8 x 8 inches

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Christian Potter Drury – Opera Coat for David Lynch – Gouache, Acrylic, Pencil, Collage, Varnish on 100% Cotton Arches Paper; 300 lb – 36 x 30 inches

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Christian Potter Drury – Rogue Wave – Acrylic, Collage, Pencil, Varnish – 16 x 16 inches

christian-drury-high-tide-acrylic-water-color-mixed-media-24-x-24-inches

Christian Potter Drury – High Tide – Acrylic, Pastel, Pencil, Varnish – 24 x 24 inches

 

 

Christian Potter Drury - Tulipu sp. Margarettas - 30 x 30 - acrylic ink waterclr pencil

Christian Potter Drury – Tulipus (sp.) Margarettas – Acrylic, Pen, Watercolor and Pencil – 30 x 30 inches

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Christian Drury – Mount Wilson – Gouache, Watercolor, Pastel Collage – 24 x 30 inches

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Christian at an Open Gallery Night this past August with her piece Tulips (sp.) Margaritas

locally grown

how an abundance of local talent was tapped for this custom cottage

Everyday we are reminded of the deep pools of design and artisan talent that reside in our tiny state.  (Earlier this week, I ran into three local artisans ready to excitedly share news of their newest projects/work during a 10-minute run into the coffee shop for a mid morning tea.  No August vacation time for these busy artisans!).
Many of the artists and craftspeople we work with went to RISD and are (thankfully!) staying in Rhode Island to launch their careers.  Others are coming from New York, realizing that there are contemporaries here with whom to collaborate, while enjoying the lower cost of living and seaside benefits of the Ocean State.   Like any state, we have our issues.  But access to world-class designers and artisans isn’t one of them.
With commitment, I’ve actively developed my working relationships with local artisans and craftspeople for the past 12 years of my business.  And now my fellow taste-designers are doing the same.  It’s become a guiding principal of our practice.
So nothing gives us more pleasure than these words from a client: “I really want to work with as many local craftspeople as possible on this project”.  Amen.  And so we did.
Here’s a pictorial review of this Little Compton, Rhode Island project and a shout out to the local artisans and craftspeople who helped make this interior happen.
Only the best,
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before & after kitchen interior design renovation
Studio Dunn walnut counter stools are pitch perfect in this simple and honest Kitchen.
Big thanks to Stephen Plaud for lending their craftsmanship to the Kitchen cabinetry.
And that’s a Dora Atwater Millikin painting peeking into view on the wall to the right of the Kitchen.
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Our friend David Ellison at Lorimer Workshop contributed his talent and unerring eye to the dining table, living room console and coffee table in the open Living/Dining Room.
We worked, once again, with O&G Studios and arrayed their chairs around the dining table, providing a no-worries approach to summer dining, just in from the beach.
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Lorimer Workshop‘s coffee table nearing completion at their shop.
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The coffee table at home in the Living Room.
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Lorimer Workshop built the console and the grasscloth covered parsons table, to perfection.
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The console at home in the Living Room.
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The restrained and edited O&G Studio‘s Atlantic Lowback chair is perfect in the lower level of the home.
O&G Studio‘s luggage rack is a welcoming and functional accent in the guest room.
Dunes and Duchess designs and creates their line of home accessories in nearby Connecticut.  Our client loves their Lakeside chair in this custom color and poppy upholstery.
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Whetstone Workshop created this newel post cap for us, to punctuate the walnut and stainless steel balustrade.
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Michael Boulay crafted this headboard and nightstand designed by our own Wendi Dicely Scalora.

Many thanks, as always, to the team of pros made this possible. With too many to mention, I’ll include just a few. To all others who contributed, we send our sincere thanks.

taste team members Wendi Dicely-Scalora, Kevin Baker and Ashley Delvecchio

Gibson Building Company, General Contractor

Stephen Plaud, Kitchen Cabinetry

Rustigian Rugs, Living Room Area Rug

Allied Floors, Countertops

Brassworks, Woodstove

Michael Boulay Woodworking, Bedroom Headboard and Nightstands, Sink Vanity (not shown)

Kyle Caldwell, Photography